Rubrics
Learn the basic string art embroidery shapes for beginners: how to mark points on cardboard, stitch an angle, circle and square, how point spacing changes the look, and why complex images are built from several simple geometric charts.
BeginnerFreeThis is not one finished object, but a basic set of exercises. After practicing the angle, circle and square, it is easier to read string art embroidery charts and build cards or decorative pieces from several geometric shapes.
It is easier to draw the chart on the back of the cardboard: the front stays clean, and the threads form the design through the punched holes.
Experienced makers can work by eye, but beginners should number the points. This lowers the risk of losing the direction and ending up with a chaotic web of threads.
Secure the beginning and end of the thread on the back. Knots can add unwanted bulk and get in the way of a neat card.
The angle is the clearest basic shape. You mark two sides, then connect matching numbers with thread.
On the back of the cardboard, draw the angle you need. Mark equal intervals on both sides and number the points. The more even the spacing, the neater the fan of threads will be.
For the first exercise, do not place the points too close together: a larger chart is easier to read and is less likely to tear the cardboard.
Secure the thread with glue on the back and bring it out at point 1. Carry the thread on the front to point 1 on the other side of the angle, then continue with points 2–2, 3–3, 4–4, and so on. Secure the end of the thread on the back again.
If you mix up the side or number, the design will start to break immediately. Check yourself after each pair of points.
A circle can be stitched with different spacing. In the source material, the charts are shown on a circle with 12 points.
Draw a circle and mark 12 evenly spaced points. For practice, number them in order so you can see which point connects to which.
You can connect every other point: 1–3, 2–4, and so on. You can also use a larger step: 1–4, 2–5, 3–6, or 1–6, 2–7. A smaller step makes the outline more visible. A larger step fills the center more densely.
The point is not one correct method, but understanding the step: different point pairs give different density and a different inner crossing shape.
If the points are evenly marked and the step is consistent, the threads will cross in the center of the circle. This is the main visual sign that the chart is working correctly.
A square can be filled in at least two ways. They follow a similar logic, but create different thread patterns.
First connect points on one pair of sides: for example, 1–11, 2–10, 3–9, and continue in the same way. Then move to the horizontal lines and repeat the chart. A thread crossing will appear in the center.
In the second version, start from the corner point: connect 1 to 7 on the horizontal line, 2 to 6, 3 to 5, and so on. After the horizontal layer, move to the vertical layer and repeat the same idea.
The layers are easy to see in a square, so you can use threads in different colors. This makes it clearer where the first layer ends and the second begins.
Even if the final piece will be stitched in one color, it is better to make the practice sample in two shades.
A question in the comments asked exactly this: how simple shapes turn into complex pictures. The answer is layering shapes and planning the chart first.
Before a complex piece, draw the chart at full size: where the angle will be, where the circle will be, where the square or arc will be. It is better to draw every thread path on paper before transferring the points to cardboard.
The author explains that complex shapes are created by layering different geometric forms. Without a chart, beginners can easily lose the thread direction.
At the start of the material, the arc is mentioned among the basic shapes, but the source does not include a separate chart or step-by-step explanation for it. That is why this version does not present the arc as its own step, avoiding an unverified instruction.
Do not start with a card right away: first stitch the angle, circle and square on separate pieces of cardboard. This makes it easier to see how the design changes with the spacing and direction of the threads.
After practicing the basic shapes, you can make a card: use a circle as a flower or sun, an angle as a petal or ray, and a square as a decorative frame.
Contrasting threads help you understand the layers in a square and in complex charts.
For a complex picture, first draw the entire design at full size and break it into simple shapes.
This master class is also available in:
After several punctures, it becomes unclear where to take the thread next.
The points are not numbered, or the spacing is too small for a first exercise.
Number the points on the back and start with a large chart. After each pair, check that you are connecting matching or intentionally chosen numbers.
The holes widen, the edges spread, and the thread cuts through the base.
The cardboard is too thin, the points are too close together, or the thread is pulled too tight.
Use heavier cardboard, increase the distance between points and do not pull the thread so tightly that it deforms the base.
The threads do not meet in the center, and the design shifts to one side.
The points around the circle are unevenly spaced, or the chosen step was not followed consistently.
Mark the circle with a compass or template, keep the spacing even and do not change the step halfway through the chart.
There are many knots, blobs of glue and long thread carries on the back.
The thread is secured with knots or is cut too often.
Secure the beginning and end with a small amount of glue. Plan the thread path so there are fewer long carries on the back.
The simple shapes make sense, but the design falls apart when you move on to a full picture.
There is no full-size overall chart, and it is unclear which shapes layer over each other.
First break the image into circles, angles, squares and arcs on paper, draw the thread paths, and only then transfer the points to cardboard.
String art embroidery is stitching thread over a firm base, most often cardboard. The design is built from pre-punched points, and the shape appears through the direction and crossings of the threads.
Start with the angle: it is the easiest shape for understanding point numbering and the logic of connecting threads. After that, move on to the circle and square.
For a beginner, yes. Experienced makers can work by eye, but numbering the first samples greatly reduces the risk of mistakes.
The arc is mentioned in the source as one of the basic shapes, but there is no separate chart or explanation for it. That is why it is left as a topic for a separate material, not added as an unverified step.
According to the author's comment, complex shapes are built by layering simple geometric forms. It is best to draw a full-size chart first, mark every thread path, and only then transfer the points to cardboard.
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