Rubrics
A step-by-step guide to making a micro-embroidered pendant: draw the lavender motif, work it in rococo/bullion stitch and stem stitch, cut ovals from fabric, cardboard, and felt, gather the blank, and glue it into the base.
Beginner2 hrFreeYou'll make a small piece of jewelry with miniature embroidery set inside a metal pendant base. The original example uses three lavender sprigs, but the same method works for a twig, flower, leaf, or any other small design that fits inside the base oval.
The base size determines the shape of the embroidery, cardboard template, and felt insert. Before cutting, place the future motif against the oval and make sure it will not sit too close to the edge.
The source suggests a twig, flower, or leaf; the example uses three lavender sprigs. If you use a ready-made chart, check it against the oval size first instead of transferring it straight to the fabric.
The main embroidery is tiny: first draw the motif, then work the lavender flower spikes and green stems.
Use a self-erasing marker to draw a twig, flower, leaf, or another small motif on the fabric. In the example, it is three lavender sprigs.
Rococo stitch is a good way to imitate lavender flower spikes. For a color transition, use three lilac shades, moving from light at the top to a richer shade lower down.
Work the stems in green thread using stem stitch. Then check that the embroidery fits inside the future pendant oval.
To make the embroidery sit evenly in the base, you need three oval pieces: the fabric with an allowance, cardboard, and felt.
Cut the embroidery into a neat oval to match the pendant, leaving a 1 cm allowance around the edge. This extra fabric is needed so you can stitch and gather it on the back later.
Press the front of the pendant base firmly onto cardboard to make a simple imprint. Use it to cut the cardboard oval for the inner insert.
Use the template to cut one more oval from felt. On your work surface, you should have the embroidery, the cardboard oval, the felt oval, and the pendant base.
If you already have fabric, floss, and tools, the only thing you will usually need to buy is a suitable pendant base.
The insert is built in layers: cardboard, felt, and the embroidered fabric. Then the edge is stitched and gathered.
Place the felt oval on top of the cardboard oval, then cover both layers with the embroidery. Keep the motif centered on the front.
Stitch around the fabric allowance. This seam lets you gather the fabric evenly around the cardboard and felt insert.
Gently pull the thread so the fabric wraps around the inner layers. Check the front to make sure the embroidery has not shifted or tilted.
Use glue to attach the assembled embroidered insert to the metal pendant base. Press carefully so you do not soil the front of the embroidery.
The final look depends not only on the embroidery, but also on what the pendant will hang from.
Wear the finished pendant on ribbon, jewelry cord, or a chain. Choose the option that suits the color of the base and embroidery.
the motif is centered in the base, the fabric is neatly gathered on the back, the insert is glued securely into the base, and the pendant is ready to wear on ribbon, jewelry cord, or a chain.
The discussion noted separately that embroidered pendants look striking on a dark background. If you choose dark fabric, test the contrast of the threads and the marker lines in advance.
Instead of lavender, you can embroider a tiny twig, flower, or leaf. The important part is to check that the design fits inside the oval of the chosen base.
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The embroidery suits the design, but once tested, it sits too close to the edge or extends beyond the oval.
The motif was transferred to the fabric before checking the size of the pendant base.
First make a cardboard template by imprinting the base and check the composition inside the oval. Only then transfer the motif to the fabric.
After cutting the oval, the fabric is hard to stitch around and gather on the back.
The oval was cut with no allowance, or the edge allowance was too small.
The source specifies a 1 cm allowance around the edges. Do not trim the fabric right up to the embroidery: this extra fabric is needed to assemble the insert.
On the front, the motif looks off-center after the fabric has been gathered.
The layers were stacked unevenly, or the thread was pulled sharply from one side.
Before gathering, check the layer order: cardboard, felt, embroidery. Pull the thread gradually and keep checking the motif position on the front.
The lavender spikes do not have a pleasing color transition.
Only one floss shade was used, or the shades were arranged without a gradient.
For lavender, use three lilac shades and move from light to rich from top to bottom, as described in the source.
The original material specifies a fabric base, preferably evenweave. It makes it easier to keep a tiny motif neat and control the size of the embroidery.
The lavender flower spikes are worked in rococo stitch, also known as bullion stitch, and the green stems are worked in stem stitch. For the color transition, use three lilac shades from light at the top to richer lower down.
The seam allowance lets you stitch around the fabric and gather it around the cardboard and felt layers. If you cut the oval with no extra fabric, it will be hard to assemble the insert neatly.
Yes, but first check the chart against the size of the pendant base. The discussion raised a separate question about fitting a design into a circle: the safer approach is to make an oval template and test the composition before transferring it to fabric.
The author suggests ribbon, jewelry cord, or a chain. Choose according to the color of the base, the embroidery, and how dressy you want the finished pendant to be.
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